Henri Emile Benoit Matisse (1869-1954) was a famous French artist predominantly known as a painter for his use of realistic colors. His mother supplied him with art things as he decided to become a painter despite his father not being with him in this decision. Later on, he moved to Paris to study arts. In this article, you will get the answer to “What is the Most Used Color in Henri Matisse’s Paintings?”.
During the onset of the 20th century, while in the difficult times when his family was tormented and became a victim of financial troubles, he first began working with clay. The controversy was known as the Humbert affair.
His artwork exemplifies the impressionist style with traits that are modest and representative. Various Henri paintings, such as landscapes and still life paintings, have garnered a lot of praise and admiration throughout the years.
He had also been a master of modern art with the extensive use of colors. Sculpture and printmaking were the known qualities of Henri.
Most Used Color in Henri’s Paintings
Colors form the foundation of artwork and play an essential role in elaborating emotions and emitting light. Matisse impressed by the work of Paul Signac in applying different colors and commonly used red color in his paintings. His techniques illuminate the effects, using the technique known as divisionism.
Henri also used Chevreul’s 72-colored wheel and also worked on the chromatics related to the modern age. He took help from the different theories developed by the artists of that era, and those adopted theories worked a lot in using a variety of colors in his work.
Moreover, Henri worked on fauvism and self-portraits, where he used strokes of color to dominate his paintings. The expressive pattern in Henri’s paintings is the filled hue of colors with a tinted background in the addition of pure colors. Henri Matisse’s drawings contrast saturated colors with the use of warm tones. The most famous Matisse paintings are mentioned as follows.
Famous Paintings By Henri Matisse
The Young Sailor II
Young Sailor II – Henri Matisse
Young Sailor II was painted by Henri in 1906 and is currently located in the Metropolitan Museum of Arts, New York. It is one of the most famous Matisse paintings, the second version of Young Sailor. He used hard strokes to deepen the angles and symbolic lines in this artwork.
The painting shows the undeveloped role of the sailor as a young man. Using pink, green, and blue colors signifies the dark shades playing with the sailor’s character. The bold figure with simplified flat planes enhances the expression of the sailor.
His facial features are painted with sharp brushes expressing the youth in him. It is not clear in the painting what he is wearing, but the leisure in his sitting style is primitive. The palm at his neck features a v-shaped line to show his hand. The bright colors wearing the sailor satisfy the soul of the background with pink color.
The Green Line
The Green Line – Henri Matisse
It is one of the famous portraits of Matisse, painted in 1905, depicting Amelie(artist’s wife). He had created harmony with the colors in her oval-shaped face slashing the green in the middle. One of the main features of this painting is that the artist used colors to define his wife’s personality.
The left side of the background was painted with dark green color and the right side with orange color to show an echo of her dress. The purpled shade neckline repeats its creativity. Finally, the top-knotted bun emerged in two colors, black and blue.
The green-shadow line cuts the face into two portraits showing the cool and warm tones of colors. The transition colors add depth to the structure with maximum effects of light. The whole module is chromatically designed in artistic shades that translate the visibility of bright colors.
The Dance
The Dance by Henri Matisse artist was completed in 1910, covering impressionism on canvas. In this painting, the artist used the techniques of modernism like other painters. However, he contrasts the bright shade of red with vivid blue color to show the dancers.
This painting is filled with emotions awakening the happiness of the dancers. The watercolors are used on canvas covering all dimensions. Unfortunately, the figures in this painting don’t hold a specific shape and seem unbalanced, and their movements are not correctly formed on purpose.
The physical tension is elaborated by the hue, where some figures touch the ground and others struggle with their weight on the ground. In addition, the whole characters are compressed under child-like play, intensifying the unclear use of strokes.
Black Leaf on Green Background
Black Leaf on Green Background is one of the most famous and unique paintings by Henri Matisse in 1952. This painting is designed to use cut paperwork on paper in which body color is painted with opaque-watercolors.
The leaf is painted in black with soft ends, and the background is prominent in light-green color. Unfortunately, Henri Matisse was not in good health, so he stopped painting. This painting is one of the final body touches in Henri’s work, known as cutouts.
This painting is distinct from the two used raw materials combined to arrange the pattern. Check out Henri Matisse’s drawings related to cutworks or fauvism. They hold particular transitions of colors and modernistic art.
Conclusion
The studio is an integral part of life for any artist where he establishes his artworks and portraitures. In addition, it encourages an artist to hold an exhibition of his framework. The main targets to paint in Henri’s life were women and still-lifes, as he was impressed by impressionist artists.
The sense of using color in a broad spectrum of landscapes and paintings emerged from the balance created by an artist. His main goal is to use color, which provides relaxation to the viewer from the hectic routine.
Henri’s art cleanses the depressing relationship by composing and transforming the colors into figures. He drew essential lines with the women figures, eventually creating a new image. But, unfortunately, light colors couldn’t persist in his wild, sharp mind.
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